While selecting an intact portion to make my mold I noticed some other small areas were missing. Since these damages had apparently happened long ago, the accumulated dirt, grim and dust (or as we more fashionably call it - patina) made the losses inconspicuous. But, in for a penny, in for a pound, I elected to replace these areas as well.
|White areas of gesso show where replacements were needed|
|More replacement detail|
|Original missing corner replaced and gessoed|
Usual steps were followed - mold-making, casting, fitting, gilding and toning. I get nervous about having to work on a frame with the art still installed - but in this case, the client didn't want the backings removed as they contained part of the work's history. This means hiding the project in a safe place between working sessions (which usually means forgetting about it), and having to keep the painting covered while frame restoration is in progress.
|Finally done and packed for return.|