This approach seems entirely natural and sensible to me, so
I have occasionally been taken aback when someone will ask "Didn't you
already paint that?" or "Why are you doing it over - it looked
OK".
On an early spring outing with some members of the Artists Guild of Shrewsbury, I did a simple watercolor sketch of a rather mundane scene - some
logs dumped at the edge of the parking lot. It was the time of year when winter
seemed to have leached all the color out of things, and a bit too early for
spring rains to have cleaned things up and instigated some greening of the
landscape.
Plein air watercolor sketch |
The initial sketch was free and pleasant enough, but didn't
seem to have the depth I have been trying to achieve in my watercolors. When I
returned home I painted a second version, which showed progress, but still
seemed bland.
Second version |
I considered whether I lacked interest in the scene, or
whether I lacked the skill to bring out elements of the scene that would make a
better painting. I seemed to be having trouble balancing where the attention
was going - was the eye drawn to the background trees, instead of the
foreground? Was this due to the color, the amount of details, or was it the
composition itself causing the problem?
Third version |
So I attacked the problem again, making some changes. This
third version, while still not totally satisfactory, showed a definite
progression towards a much better painting. Still, I suspect that there will
need to be a fourth version at some point.
Showing the progress at an Artists Guild of Shrewsbury "Salon Night" (photo by Joseph Allen) |
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